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I take photographs.
Some of them are very good.

Commercial, editorial, and portrait work out of Portland, Oregon. Post offices, cherry blossoms, empty roads — photographed when no one's asking. Passport always packed.

Status
Booking May–Aug
Based
Portland, Oregon
Recent
Kiriko Made · Willamette Week · OPB
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Travelers are silhouetted against the vivid backlit art installation "The Sky's the Limit" in the underground pedestrian tunnel connecting terminals at Chicago O'Hare International Airport. The curved ceiling and wall panels glow in shifting bands of turquoise, green, and yellow, creating a striking contrast against the dark figures of passing passengers. Their reflections shimmer on the polished floor below.
A close-up portrait of pro skateboarder Christiana Means holding a well-worn Nike skateboard deck up to her chin, gazing directly into the camera with a calm, focused expression. She has short dark hair, freckles, and a small lip piercing, and wears a white tank top. A colorful graffiti mural in purple, blue, and yellow serves as the background.
A portrait of muralist Kyle Danley, also known as Wetiko, standing in front of one of his large-scale murals depicting a close-up of a French Bulldog's face on a pink building. He wears a black Arc'teryx puffer jacket, a grey hoodie, khaki jeans, and a mustard yellow beanie. Neck and hand tattoos are visible. He looks directly into the camera with a calm, serious expression, hands in his pockets.
A portrait of DJ and event producer Peter Marks seated in a darkened music studio, lit dramatically by warm red light. He wears round glasses, a baseball cap, a grey t-shirt, and an open dark shirt. An Oberheim synthesizer and a Roland TR-909 drum machine are visible in the foreground, with additional keyboards and equipment stacked behind him. A red neon triangle glows on the left side of the frame.
A vibrant interactive art installation featuring glowing neon geometric shapes, wireframe structures, and heart symbols in blues, pinks, and greens displayed in a dark gallery space. The luminous digital art creates an immersive environment with overlapping transparent panels and geometric forms.
A two-lane asphalt road with double yellow center lines curves gently to the left and disappears over a ridge on Oregon State Highway 218 in Wheeler County, between the towns of Antelope and Fossil. Dry golden bunchgrass and scrubby high desert vegetation flank both sides of the road. A small cluster of juniper trees stands at the curve. Beyond the ridge, a vast panorama of rolling tan hills and eroded canyon country stretches to a distant mountain range under a dramatic, heavily overcast sky filled with layered blue-grey storm clouds. The overall palette is stark — dark asphalt, golden grassland, and brooding sky.
Three Aeroméxico passenger jets are parked in a row on the tarmac at Mexico City International Airport (Aeropuerto Internacional Benito Juárez), their dark navy tail fins bearing the airline's distinctive Aztec eagle logo receding in perspective from left to right. The aircraft registration numbers XA-DAH, XA-AMK, and XA-CCO are visible on the fuselages. A ground crew worker in a high-visibility vest walks near the closest aircraft, and a small white tug vehicle operates in the foreground. Orange traffic cones and yellow tarmac markings are visible on the dark pavement. Additional aircraft from other airlines are parked in the distance. The sky is pale blue with soft pink-tinted clouds, suggesting early morning or late afternoon light.
Photo 001 / 007
ISO 200 · 23mm · f/2

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Commercial, editorial,
and portrait work.

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Within 24 hours

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